Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Monday, 25 April 2011

Beneath The Surface

Beneath The Surface - Published November 2007
I have always maintained the old adage that everyone has a fascinating story to them. All it takes is to spend some time with someone and get a good flow of conversation going. Ask enough questions. What you discover could amaze you.

I found this to be especially true when I met Bob Hartley. This affable and disarmingly pleasant man will set even the most reserved individual at ease with a ready smile and unpretentious behaviour. What drew me to speaking with him was that I had heard about his serious talent as an illustrator. I was intrigued and asked if he would be kind enough to tell me more about it.

Bob spoke about his interest in all things drawing related, especially caricatures. However, he had other stories to share too. I was more than happy to listen. When he was finished, I have to be honest in stating that I was more than a little humbled, and highly impressed.

Bob was born in West Germany to a British military family. After postings all over Europe, his father was transferred back to the UK where Bob picked up a fondness for art. He credits his mother as a true source of inspiration. "She is an amazing artist. Her paintings could have sold for thousands of pounds but she remained true to herself, and never discussed her art with anyone else," Bob mused. "She would paint on a canvas and once the painting was completed, she would wipe it clean and reuse the same canvas to start on something new. My father and I managed to save a few pieces of her work for ourselves. Line drawings and things like that."

A recently retired detective for the British police, Bob honed his artistic abilities during his thirty years on the force. "I've always loved to draw, ever since I was young. My friends were usually asking me to do caricatures or illustrations as going-away presents or retirement gifts. Or even when something funny happened while we were working.
It was fine at first but then I realised how much of my time it was taking up. So I started charging them for it," he laughs.

Larger caricatures in full colour tend to take Bob around four to five weeks to complete. Small black and white drawings however can be finished within two to three hours depending on the content.
He stresses that he is not a portrait artist by any means but thoroughly enjoys caricature. "Caricature is generally better because you can draw a feature out of someone. A facial or physical trait. It makes it easier. More interesting."

Caricatures are not Bob's only speciality. "Realism, accurate portrayals of machinery and explanatory exploded view of parts. That's actually how I became serious about illustrations.The owner of a UK publication named Rotorworld contacted me and asked me to prepare some interesting graphics. Rotorworld is a magazine for remote control helicopter fans. I'm a fan as well. I had to come up with a detailed drawing that would make it easier for readers to understand the designs of certain parts, to make it less boring.
I showed the people at the magazine some of my other work and I was offered a regular slot as the resident cartoonist. And the rest is history."
His humorous drawings, aptly titled "Giggles by Bob Hartley" are a regular feature in  Rotorworld.

We then proceeded onto other topics. I was already aware that Bob had a serious passion for the outdoors and proceeded to ask him if he could spare any "really cool adventure stories", at the risk of sounding like a complete novice.
This is a man who is an admitted mountaineer and has scaled some seriously daunting peaks. Bjel Toubkal of the Atlas Mountains in North Africa, Denali or Mount McKinley in Alaska, Mont Blanc in France and of course Mount Kinabalu, which he has climbed thirteen times.

He speaks with warm tones about the 2002 Mont Blanc expedition in which he was a cameraman and support team member for his best friend, renowned mountaineer Tony Ward.
The latter had lost the use of both his kidneys several years prior and viewed this challenge as a way to raise funds and awareness for kidney research, treatment and organ donation.
"Tony needed a dialysis pack change every four hours but he managed to set a world record for the highest dialysis exchange at 4,000 metres above sea level. It was a climb that would normally take three days. It took us two weeks," remembers Bob. " Sir Ranulph Fiennes was really great and helped us by forwarding the video footage we had recorded. It appeared on British television."
Sir Fiennes is the first man to complete land treks to both the North and South Pole as well as The Antarctic. He is widely regarded as one of the best explorers in the world.

The world record for the highest dialysis transfer has since been reset by none other than Tony Ward himself during his 2004 climb of Mount Toubcal in North Africa. That record currently sits at 4150 metres above sea level.

 After pressing on for more stories, I found out just how serious Bob's love for nature is.
He classifies himself as an "extreme canoeist" and was among the first group to ever paddle down Brunei's Sungai Temburong. While still in the UK he also set up and ran Kaboa for 6 years - a dedicated jungle training course which teaches expedition leaders to be rainforest aware. From this facility alone, he personally trained 250 leaders. Hence his nickname, Jungle Bob.

Bob has organised 13 trips for the World Challenge Expeditions, a programme that educates young adults through travel and by exploring a different range of countries around the world. "That is how I came to Sabah in the first place," states Bob, "And that's how I met my wife". 

Sue Chong-Hartley has a strong affinity for the jungle and this evident through her own reminiscing of forest trips and fantastic skills behind the camera. This talented yet modest lenswoman exhibits serious flair for animal and insect photography, arachnids being her favourite subject. A flip through her portfolio will have you agreeing that her work is serious gallery worthy material, to say the least.

Not to be left behind, Bob too is an avid photographer but quickly lets on with a grin that "Mrs. Hartley has a far better eye for photography than I do."

Louis Pang - Blazing a Trail

LOUIS PANG BLAZING A TRAIL - Published in August 2007

Name drop wedding photographer Louis Pang to those in the know in Sabah. Their immediate response will be to beam and wax lyrical on the brilliance of his work as well as to state how personable and pleasant he is.
Mention his name out of Sabah, say in Kuala Lumpur, Singapore or Hong Kong for example and chances are you will probably receive a very similar reaction.

Louis Pang has a photography portfolio that could easily rival those of professional wedding photographers worldwide. An unobtrusive man with a fantastic eye for amazing photography, Louis was dubbed "The Passionate Newcomer" by a leading publication in Malaysia.
Louis is as relaxed as he is artistic. A Tawau-born local, he has recently relocated to Kota Kinabalu with his wife and are looking forward to a new life here in between wedding photograph jaunts around Asia.

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Where are you originally from and how old were you when you developed a passion for photography?

I was born in Kota Kinabalu but grew up in Tawau. I picked up photography out of a job requirement. In 2001, I was working as a journalist for a local newspaper and I had to take some pictures too. So I bought a very old fully manual camera, Nikon FM2, and a banged up 35-70mm f/3.5-5.6. The idea of capturing light and shadow on film fascinated me. There was no LCD screen on this RM800 camera, just a huge viewfinder that told me my exposure and focusing plane. Aperture and shutter speed were operated manually.

In my first year at work, I won first and second place in a district level photojournalism contest. I knew then that I had a special gift. Photojournalism has always appealed to me. I would scour the internet for works of photojournalists around the world.

Did you take any photography courses to hone your skill? What made you lean more towards wedding photography?

I didn’t take any formal training on photography. I just learned on the job and by spending time viewing works of other photographers on the Internet. I read a lot on photography and I practiced what I learned on the job. More and more, I was approached to shoot weddings and commercial projects. In 2004, I left the editorial desk to start my own business with a ton of optimism but zero business experience. Very quickly I had learned that being a good photographer is not enough, I need to be a good businessman as well because I am in the photography business.

There was a time when I thought of giving up photography. I was shooting too many things, editorials for magazines and newspapers, commercial work and weddings. I don’t want to spend 20 years in photography being a jack-of-all-trades. I want to leave my mark and blaze a trail. When I reviewed my work, I saw that I was drawn towards photographing people and it was in weddings that I found my best work. So I decided to focus on wedding solely.

I signed up for business classes with the Malaysian Institute of Management (MIM) and read a load of books on sales, marketing, branding. The biggest help was to be taken under the wings of a mentor, a successful and respected businessman who is not a photographer. I've learned that love is the winning formula. Instead of focusing on getting the signature on the dotted line, I focus on solving problems for my clients and meeting their needs. People know it when you are just trying to get your hands into their wallet. Love people genuinely and success will follow.

In March 2007, I spent 11 days attending the Wedding & Portrait Photographer International (WPPI) 2007 in Las Vegas, which was the largest tradeshow and education program for wedding and portrait photographers. It was an eye-opener to learn from the best of the world. I took a two-day class with Joe Buissink, Hollywood’s most sought after wedding photographer, whose clients include Jennifer Lopez, Christina Aguerila, Hilary Swank, Kelsey Grammer, Christina Applegate, Steven Spielberg and Annie Leibovitz.

I can only describe the next two days with Joe as a life-changing experience. Yes, I learned a lot of how-tos, but it is the why-tos that changed me. “Think outside the box”, “take some risks” and “break some rules” is difficult for a Malaysian who is raised to conform and obey. Yet venturing into the unfamiliar and breaking away from the conventional can yield so much creative dividends.

Tell us more about your awards and accolades, and of course how it felt to receive them.

In July, I won 1st place in the WPPI 2007 8x10 print competition. It is the world’s largest and most prestigious wedding photography competition that attracts thousands of submissions from around the world. When I was informed via email that I won the Photojournalism, Wedding Details category, I could not believe it. I read, reread and reread the email before screaming at my wife, “Honey, we’ve won!” We were in tears and utterly speechless. We mumbled a short prayer of thanksgiving. It took us a while to take it in that we had won an international award for our work.

The win was sweetened when we discovered that we were the first Malaysians to have won anything at all with WPPI, let alone a first place finish. Looking back all the hard work, toil, pain, bruises, sweat and tears…it is worth it. As Steve Jobs said, “You can't connect the dots looking forward; you can only connect them looking backwards.”


Trickiest or most difficult session you've had? Any funny anecdotes to share?

I don’t think there had ever been an easy wedding to shoot because every wedding is different and every other weekend I am shooting somewhere, often away from Sabah. Asian weddings are tough because it can start at 6am and end at 11pm. Working 12 to 15 hours for a wedding is quite common…that’s carrying over 10kg of camera, lenses and peripherals in 95% humidity and 35 degrees Celsius. I have a water bottle strap to my camera belt system, and I drink constantly to keep myself hydrated. Despite such trying working condition, I must maintain high level of concentration.

In November I will be shooting three weddings in three countries in one week: Hong Kong, India and Malaysia. I will be photographing in venues and with couples I had never worked with before. I need to think on my feet. There is huge pressure for me to deliver and fortunately, I thrive under pressure.

The worst experience I had was to be down with food poisoning the night before a wedding. I was soaked in cold sweat, down with fever and my stomach was in knots. Luckily I had my wife with me for that out-of-town shoot. She got me some activated charcoal and anti-diarrhea pills. I battled on to complete the shoot and presented a slideshow during the wedding banquet. The clients were really please with the pictures. Phew!

What are your plans for the immediate and not so immediate future? A book of photography perhaps?

I would like to position myself as an international wedding photographer, specifically in Asia Pacific. We live in very exciting times with China and India awakening as new economic giants. Then we are surrounded by affluent neighbouring countries like Hong Kong and Singapore. These are lucrative markets to tap into.

Sabah has great potentials to be a major city for destination weddings. We have beautiful beaches, scenery, fantastic five-star facilities and services at very affordable prices. While Bali, Phuket and Samui are still the better known places for destination weddings, I believe Sabah can compete with these places if we can market ourselves well and provide superior services. Sabah has her unique charm. Sabahans must cherish that and believe in ourselves.

Also, I would like to spend more time shooting portraits. Some of us think of portraits as sitting in a room with outdated furniture, tacky backdrops and lots of lighting strobes firing at us when the photographer says, “Smile.” I see portraits as documenting the unique bond between people. The challenge is to bring out that intangible bond and capture it on a picture. This does not have to happen inside a studio. It can be done on a beach, in a park and even in the comfort of their own home—wherever they are most at ease. A photography session should be fun and enjoyable, not a chore to be endured. I want my work to give people a good and healthy sense of who they are. I also want my pictures to give them great memories. Without a good picture, we are only left with memories. Unfortunately, we cannot print memories.

What brand/make of camera do you use?

I use Nikon D2X, D200 and a variety of Nikon lenses & strobes.

Any advice for up-and-comers or budding amateur photographers?

Camera manufacturers want to convince young photographers that the secret to better photography rests in the next new camera model with higher pixel count and frame rate. It is a lie that most photographers want to believe in as well.

I would suggest that we spend time in good photography websites, books and magazines. Also dedicate energy into honing our arts and skills. The rules of the capturing light and shadow is the same whether you are using an old manual film camera or the latest state-of-the-art RM30,000 digital camera.

Who took the photographs for your own wedding?

My buddy Peter. My wife Jasmine and I could not afford the service of a professional photographer. Peter was kind enough to do it as a gift for us.
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Clearly someone who lets his work speak for itself, I have yet to find a photograph that I've not found visually stunning. Fans can visit Louis's online portfolio at www.louispang.com or for more a more personalised feel head over to his blog at www.louispang.com/blog